Even more impressive is this clip of a full orchestra (violin concerto) recorded in an even drier hall (college auditorium); rehearsal of a community/volunteer orchestra. On both this and the clip in the previous post I had to apply a pretty heavy HiPass filter to the dry signal before processing with the reverb, or the resulting reverb tail got quite blubbery-sounding. An addition to
MVerb 7B that I'd highly recommend would be an adjustable HiPass filter in addition to the 'Tone' control. There are many cases in which too much LF energy getting into the 'verb will result in a very muddy sound. It would be very handy to have this
in the reverb, rather than having to do it as an additional step.
https://ln.sync.com/dl/bc0aeed50/3ui6a5 ... t-98qpm7iv Martin - this thing has changed my life! In twenty years of making recordings of some quite good music in pretty 'unfortunate' acoustics, I'm finally able to actually enjoy listening to them. As well as I might have engineered many of them, the dead acoustics made listening to the resulting recordings quite un-enjoyable. As I mentioned before, I've tried many times over the years to ameliorate them with digital reverb and was never happy with the results, till now
.
MVerb, unlike almost all the others I've tried doesn't add a timbral 'color' to the reverb - it just sounds like it's supposed to. I've taken to calling it 'Kingsway Hall in a can' - those classical recording afcionados out there will know what high praise that is.
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