New Style of Width Manipulation using differentiation.
Posted: Sat Apr 13, 2019 3:00 pm
Hi everyone.
I've come up with a new, prototype width manipulation technique that I thought I would share. I was noticing historical audio often mixes stereo and mono, so, let's begin.
Starting with stereo 1hz to 300hz is singled out using a steep low pass. this is the first connection from audio IN.
Next, mono is introduced with a resonant highpass which roughly begins to fallout at 300Hz. I wasn't sure which High Pass (reminiscent of a legendre but high pass instead of low pass); Maybe You could tell Me. So, this mono signal goes all the way up to the highest spectrum.
Thirdly, the last connection is a stereo beginning after 300hz and it is affected by a Legendre filter so that its falloff is roughly 3-5KHz.
It is an extremely realistic cicrcuit which emulates physics and rarefaction. Taking into considering the smaller wavelengths and the amount of speed from bass should there be any obstacles to echo off of.
I've come up with a new, prototype width manipulation technique that I thought I would share. I was noticing historical audio often mixes stereo and mono, so, let's begin.
Starting with stereo 1hz to 300hz is singled out using a steep low pass. this is the first connection from audio IN.
Next, mono is introduced with a resonant highpass which roughly begins to fallout at 300Hz. I wasn't sure which High Pass (reminiscent of a legendre but high pass instead of low pass); Maybe You could tell Me. So, this mono signal goes all the way up to the highest spectrum.
Thirdly, the last connection is a stereo beginning after 300hz and it is affected by a Legendre filter so that its falloff is roughly 3-5KHz.
It is an extremely realistic cicrcuit which emulates physics and rarefaction. Taking into considering the smaller wavelengths and the amount of speed from bass should there be any obstacles to echo off of.